G.S. Nicol: The Life Behind the Sign

By Taylor McDaniel

G.S. Nicol ghost sign

High on a brick wall on Blythswood Street, a fading sign advertising G.S. Nicol furriers, ladies tailors, and habit makers looks down over a vacant lot. This ghost sign, spanning the width of the building its painted on, helped inspire our Ghost Signs of Glasgow project. 

Project Coordinator, Silvia Scopa, came across a garment label reading “G.S. Nicol Glasgow” while taking inventory of historic costumes as part of her Masters degree. The next day she saw the large G.S. Nicol ghost sign just off Bath Street. Soon after she began seeing ghost signs everywhere and wanted to find a way to document both the signs and the stories behind them throughout Glasgow. 

G.S. Nicol label in a bodice from 1905. Reproduced courtesy of Glasgow Museums.

The G.S. Nicol sign does indeed have quite the story behind it. George Stronach Nicol was a women’s tailor, milliner, and furrier who opened his shop at 186 Bath Street in 1894. Originally from Dallas, Moray, Nicol and his wife Isobella made the move down to Glasgow by 1890. The couple’s five children–George, Alexander, Violet, Isa, and, Roberta–were born in various residences around Glasgow. The family eventually settled in a large 8 bedroom house in Pollockshields that Nicol named “Forres House” after the location of his and Isobella’s wedding. 

A bodice made by G.S. Nicol, 1905. Reproduced courtesy of Glasgow Museums.

Nicol ran his shop until the 30th June 1908, when the Scotsman and the London Gazette reported Nicol would be retiring, but the business would continue to be run by his partners John Hossack Stronach and Duncan Macdonald Stronach. George Stronach Nicol died at home in Pollockshields on the 21st March 1939. G.S. Nicol continued trading at 186 Bath street long after its namesake’s death until closing down in 1967.

Detail of the G.S. Nicol ghost sign.

Nicol is remembered for causing a stir after the death of Queen Victoria on the 22nd January 1901. The day after the Queen’s death, Nicol placed an advertisement in the Glasgow Herald reading, ”Mr Nicol, during the next 10 days, will make up all mourning gowns at his off-season prices. He holds a unique selection of black materials.” Many readers were outraged by the poor taste of the advert following the beloved monarch’s passing and the newspaper was bombarded with letters to the editor complaining. 

186 Bath Street, where G.S. Nicol once stood, now houses the Hummingbird Nightclub. Furs made by G.S. Nicol can still be found today; a recent Gumtree listing advertised a chocolate-coloured squirrel fur jacket from the 1930s. And finely made clothes aren’t the only pieces of G.S. Nicol’s past floating around today. Ghost Signs of Glasgow was lent a beautifully detailed metal sign for the shop by a generous collector. 

G.S. Nicol Sign

The tale of G.S. Nicol is just the first of many interesting stories we’ll be exploring as part of the Ghost Signs of Glasgow project. If you see any ghost signs while out and about in the city, send us a picture on social media at @ghostsignsgla or send us an email at ghostsigns@glasgowheritage.org.uk. 

End of the Line: Explore Glasgow’s Industrial Past

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John R Hume first started documenting Glasgow’s industrial buildings in 1964. Wandering the city by bicycle, he was determined to get images of as many of the city’s decaying industrial buildings as possible before they disappeared. He was just in time.

END OF THE LINE EXHIBITION, SUMMER 2019

In the summer of 2019, GCHT created the exhibition End of the Line: Photographs of Glasgow’s Industrial Past by Professor John R Hume. People came to see the exhibition for a variety of reasons, including personal memories of the buildings photographed, an interest in industrial heritage or photography, and curiosity about the former Tax Hall as many people had never seen inside the building. Running from 25th July until 5th September, the exhibition had over 1,200 visitors in just six weeks.

This is the first time that these images, many of which were originally included in John R Hume’s book Industrial Archaeology of Glasgow (Blackie, 1974), had been exhibited together on a large scale. The powerful black and white photographs demonstrate the monumentality and ambition of Glasgow’s industrial buildings, as well as the diversity of architectural styles; they span neo-gothic, neoclassical, and Venetian to name a few. The viewer is encouraged to admire the intricate architectural details of each building and to imagine the lives of the people who may have worked there.

AUDIO TOUR & INTERACTIVE MAP

An audio tour of selected highlights of the exhibition by John R Hume is available online.

End of the Line Building Locations

GLASGOW’S INDUSTRIAL HERITAGE CAPTURED

The dramatic changes in Glasgow’s urban fabric since the 1960s were in large part a consequence of the decline of industry after the Second World War. Postwar government policies, such as clearances for Comprehensive Development Areas and the creation of the M8 urban motorway, virtually flattened areas of the city including the Gorbals, Hutchesontown, Anderston and Bridgeton. The photographs in End of the Line represent the enormity of the loss of Glasgow’s industrial heritage: every building depicted has subsequently been demolished. 

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May-June Events Brochure

Talk: Glasgow’s Traditional Shopfronts

Wednesday 17th April 2019 | 6-8pm | 54 Bell Street

To coincide with Glasgow City Heritage Trust’s Ghost Signs of Glasgow Project, join us to hear Iain Wotherspoon talk about the city’s historic shopfronts. He will take us on a ‘virtual’ stroll along the pavements of Glasgow pointing out –and bemoaning the loss of–some of our finest (and most under-rated) streetscape assets: our Victorian and Edwardian shopfronts.

Iain Wotherspoon is an actor who has spent much of his career touring the theatres of the UK and Europe but also turns up regularly in repeats of Taggart. For the last twenty years he has been on the Planning Applications Group of Friends of Glasgow West reviewing every planning application for the Glasgow West Conservation Area, and he is now doing the same for the Architectural Heritage Society of Scotland, of which he is the Strathclyde Group’s Chairman.  It was doing this work which opened his eyes to the plight of Glasgow’s disappearing shopfronts.

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DEBATE: (Re)moving statues: should statues ever be removed when circumstances change?

Wednesday 27th March 2019 | 6-8pm | St Andrew’s in the Square, St Andrew’s Square, Glasgow, G1 5PP 

Statues are ubiquitous and often bypassed as unnoticed elements of the urban furniture. And yet statues are also, in their depiction and representation of real life people, highly symbolic. Often statues which represent people who are celebrated in their own era can become embarrassing or even offensive to the values of a future generation.

It is no coincidence – especially in an era of all-pervasive media and screens – that statues can even come to stand in for the people they depict with the toppling of statues of dictators as the preeminent symbol of revolution and therefore of the toppling of anachronistic ideologies. But statues are also objects and works of art in their own right, often created by highly skilled and revered artists. The removal or destruction of statues not only eradicates them as archival and art historical artefacts, it can symbolise the erasure of collective memory of historical events and past follies.

Join us for a lively debate on this fascinating topic looking in particular at statues in Glasgow.

Chair: Gerry Hassan, writer, commentator and Senior Research Fellow in contemporary Scottish history at the University of Dundee  
Speakers:
Councillor Graham Campbell
Professor Ray McKenzie, MA, Research Fellow, FoCI, Glasgow School of Art
Mélina Valdelievre, English teacher and campaigner
Jude Barber, Director, Collective Architecture 

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